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Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

Sunday, October 1, 2023

Uncomfortably Honest: Krishnagopal Mallick’s Queer Tales of Boyhood & Sexual Identity | 'Entering the Maze' Translated by Niladri R. Chatterjee

          

"Uncomfortably Honest: Krishnagopal Mallick’s Queer Tales of Boyhood & Sexual Identity"

Entering the Maze: Queer Fiction of Krishnagopal Mallick Translated from Bengali by Niladri R. Chatterjee

Book Review by Dhiraj Sindhi



Entering the Maze: Queer Fiction of Krishnagopal Mallick Translated from Bengali by Niladri R. Chatterjee Book Review by Dhiraj Sindhi | Top Indian Book Blogger
Entering the Maze: Queer Fiction of Krishnagopal Mallick Translated from Bengali by Niladri R. Chatterjee



Author: Krishnagopal Mallick

Translator: Niladri R. Chatterjee

ISBN: 978-9391125905

Genre: Queer Fiction & Short Stories

Length: 176 Pages

Publication Date: 6th April 2023

PublisherThornbird: An Imprint of Niyogi Books

Cover Designer: Pinaki De | Blog: http://pinakide.blogspot.com/

Order your copy right now: https://amzn.to/3EZxTec



Entering the Maze: Queer Fiction of Krishnagopal Mallick Translated from Bengali by Niladri R. Chatterjee Book Review by Dhiraj Sindhi | Top Indian Book Blogger
Krishnagopal Mallick (Courtesy: Scroll.in)



About the translator:

Niladri R. Chatterjee is Professor, Department of English, University of Kalyani, West Bengal. A recipient of the Fulbright Scholarship and the British Council-Charles Wallace Fellowship, he has co-edited The Muffled Heart: Stories of the Disempowered Male and Naribhav: Androgyny and Female Impersonation in India. He is also the author of a novel called The Scholar. His areas of interest are Masculinity Studies and Queer Studies. Since 2010 he has been running a Facebook group called New Gender Studies.



Entering the Maze: Queer Fiction of Krishnagopal Mallick Translated from Bengali by Niladri R. Chatterjee Book Review by Dhiraj Sindhi | Top Indian Book Blogger
Niladri R. Chatterjee (Courtesy: Frontlist)

Instagram: @niladdictive


DisclaimerThis review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author. 



REVIEW

Organisations in urban India, OTT media services, and the gig economy are slowly becoming inclusive of the LGBTQIA+ community. However, it’s also important to acknowledge that in rural India, which constitutes about 65% of the population, queer individuals struggle against sexual repression and spend a good part of their lives suffering psychologically as they still risk being subjected to conversion therapies, physical violence, and sometimes, even family-sanctioned corrective rapes. The thriving moralism, religionism, and cultural nationalism in contemporary India is engendering a more conservative and heteronormative society and a youth whose traditional values are increasingly at odds with the principles of equal rights for queer folks. Widespread societal bias and prejudice, often perpetuated by those adhering to heteronormativity, have led to a common misconception that queer individuals are prone to trauma and suffering. While Chatterjee labelling this overly generalising perspective, a liberal view may not be accurate, he successfully challenges it through his translation of Krishnagopal Mallick’s queer fiction, which defies such limiting stereotypes and offers a nuanced portrayal of LGBTQ+ experiences.

In the rich tapestry of Indian literature, the voices of LGBTQ+ individuals often find expression in regional languages, offering authentic and diverse perspectives on sexuality and identity. Unfortunately, many of these nuanced narratives have been overlooked or marginalised due to their divergence from heteronormativity. Translation emerges as a vital tool, a bridge that allows these hidden stories to resurface and flourish. It preserves the cultural nuances and authentic voices and challenges the pervasive homophobia that has marginalised them. ‘Entering the Maze’ is one such attempt to bring these voices into the spotlight and celebrate the richness of India’s LGBTQ+ literary heritage.

‘Entering the Maze’ is a collection of queer fiction stories by Krishnagopal Mallick, translated from Bengali by Niladri R. Chatterjee. The book is divided into four parts: an introduction by the translator, two short stories titled ‘The Difficult Path’ and ‘Senior Citizen,’ and lastly, the novella ‘Entering the Maze’ (initially published in May 1993).

In the introduction, Chatterjee introduces us to the world of Krishnagopal Mallick’s literary works and dives deep into it, drawing connections between his texts, his worldview, his life, and the profound influence of his homosexuality. Chatterjee references a passage from Mallick’s memoir ‘Hujugani,’ where he writes about ‘Byuhprabesh’ and mentions that he never resorted to imagination, validating that the work is not entirely fictional and complements the cover, featuring two identical figures, blurring the lines between reality and fiction. He compares Mallick with his contemporaries globally, nationally, and regionally in terms of queer themes, sources of inspiration, the use of author surrogate, and their romantic involvements. The scope of his comparisons spans from the French Nobel Laureate Andre Gide to E.M. Forster and even includes the Gujarati artist Bhupen Khakhar. Yet, he concludes, seldom do writers approach the innocent candour with which Krishnagopal Mallick presents stories of his boyhood and homosexuality in print, all while leading a contented married life with a child.

In ‘The Difficult Path,’ the 58-year-old narrator leads you on a journey through College Square in North Kolkata, observing and chronicling every subtle and monumental transformation. During a chance encounter with a lost boy near a concert venue, their journey together becomes a metaphorical exploration, depicted through a stoned and muddy path, raising questions about intentions and boundaries leaving readers with lingering thoughts. The story skilfully weaves the narrator’s reflections on the evolving spaces of Kolkata and human connection.

Sensual undertones are Krishnagopal Mallick’s hallmark, cleverly threaded with provocative details like a reference to a VIP Frenchie commercial. Similar to ‘The Difficult Path,’ ‘Senior Citizen’ also places readers in a morally challenging predicament. The author artfully employs irony to craft the persona of an elderly narrator. The story sets your moral judgment on an unpredictable course, prompting recalibration and a deliberate examination of right and wrong. However, what becomes evident is that the situation presented is far from being clear-cut; it resides in shades of grey. Despite a conspicuous absence of concern for issues like consent, the author adroitly blurs the line between consensual and non-consensual acts of intimate contact. This deft handling of a sensitive subject, conveyed with playful and mischievous authenticity, reflects the reality of such situations, ultimately underscoring the paramount importance of consent.

Finally, the pièce de résistance within this anthology of queer fiction presents itself—the novella bearing the title ‘Entering the Maze.’ It stands as a prime exemplar of the most candid and timeless coming-of-age literature. Within its pages unfolds a richly layered and subtly nuanced narrative, an exploration of boyhood, puberty, and the intricate journey toward self-discovery. The author employs a fourteen-year-old protagonist as a surrogate, charting the course of his life over a single year against the backdrop of post-Indian Independence Kolkata in 1950-51. The narrative embarks on a resounding note, providing readers with a glimpse of what awaits within its chapters. The novella begins with a portrayal of Gopal in shorts, and his transition to embracing dhotis and pyjamas towards the end symbolises his coming of age. Gopal’s fervent engagement in crafting a detective novel and the ingenious interplay of nested narratives illuminate the author’s unquenchable thirst for literature during his formative years. In a profound manner akin to the preceding short stories, ‘Entering the Maze’ unflinchingly captures the essence of the coming-of-age experience. It confronts the unspoken aspects of this transformative journey, which often remain concealed. These pivotal years, marred by the struggle to conform to prescribed notions of femininity or masculinity, bear profound significance.

The novella also features the influx of Bengali Hindu refugees from East Pakistan, the spectre of recurring riots, and haunting memories of war. The novella illustrates how these experiences shape the lens through which teenagers perceive the world. The author adeptly navigates these intricate layers, summoning vivid imagery and seamlessly traversing the terrain of adolescent self-discovery. The ordinary rituals of student life - the pursuit of geographical knowledge, the recitation of poems, and the fascination with stamp collection - all find a place within this novella’s pages. Each page, every line, and every word reverberates with profound meaning, offering readers a glimpse into the invaluable treasures concealed within its narrative depths.

Krishnagopal Mallick’s unreserved and unapologetic expression of his homosexuality tells you what it means to embrace your sexuality; it’s like, through his queer fiction, he shows you that he takes pride in being a homosexual man without ever saying the word “pride”. Such innocent, honest, and vibrant narratives of coming-of-age and the exploration of one’s sexuality have the power to ignite hope anew. As Chatterjee concludes his introduction, and I concur, we must bring such books back on the shelves. They not only enlighten us but also empower those who continue to fight for their right to love freely and authentically.


Happy Reading!


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Dhiraj's Bookshelf

Lovelorn : A compilation of heartache and heartbreaksThe WallHomeless: Growing Up Lesbian and Dyslexic in IndiaWhy Am I Like This?: A Journey into Psychological AstrologyTales of Hazaribagh: An Intimate Exploration of Chhotanagpur PlateauThe Cat Who Saved Books
In the Company of StrangersRippling waters of SolitudeGet Out: The Gay Man's Guide to Coming and Going Out!Of Marriages and MadnessDopehriThe Cat and the Cow
The Train to TanjoreRohzinThe Blue Book: A Writer's JournalMurder in the Bylanes: Life and Death in a Divided CityDear Mom: Finding Hope, Happiness and HerThe Ascendance of Evil
A Little Lifesemicolon: a novel


Dhiraj Sindhi's favorite books »




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Follow me on InstagramFacebookTwitter, and Pinterest. Don't forget to subscribe for more content. Thank you so much for reading!

Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Monday, November 29, 2021

Sabarna Roy Materializes a Roller-coaster of Limitless Melancholic Illusions Using the Classical Tracks in a Hauntingly Creative Manner

 

Sabarna Roy Materializes a Roller-coaster of Limitless Melancholic Illusions Using the Classical Tracks in a Hauntingly Creative Manner

Book Review by Dhiraj Sindhi


Winter Poems by Sabarna Roy


Winter Poems by Sabarna Roy | Book review by Dhiraj Sindhi | Indian Book Blogger
Winter Poems by Sabarna Roy


Author: Sabarna Roy

ISBN: 978-9382473718

Genre: Poetry

Length: 60 Pages

Publication Date16th July 2013

PublisherLeadstart Publishing Private Limited

Book Editor: Surojit Mohan Gupta | LinkedIn: @surojit-mohan-gupta

Cover Background Painting: A Wet Afternoon in Kolkata by Arup Lodh

Painter: Instagram: @a.r.u.p.l.o.d.h

Order your copy right now: https://amzn.to/3xzOWPm


About the author:

Sabarna Roy (46) is a qualified Civil Engineer from Jadavpur University, Kolkata. He works in a senior management position in a manufacturing and engineering construction company. He is widely travelled in India and lives in Kolkata with his family. He is an avid reader and a movie buff. He started writing during his university days, mostly English and Bengali poems. He stopped writing after he left university and took up employment. After a gap of 19 years, he started writing once again mostly to reconnect with himself. In the period of 19 years when he did not write, he spent his non-working hours reading, listening to music and watching world cinema. He loves reading Tolstoy, Chekhov, Rabindranath, Eliot, Manik Bandopadhyay Satyajit Ray, Kundera and Pamuk the most. He is hooked onto Mozart, Turkish and Egyptian music and M S Subbalaxmi. In cinema, his favourites are Aparajita, Pratidwandi, Rashomon, Eight and a Half, Breathless, Head-on, The Birds, The Godfather series, Vertigo, Sunset Boulevard, Sacrifice, Garam Hawa and Taare Zameen Par.


Winter Poems by Sabarna Roy | Book review by Dhiraj Sindhi | Indian Book Blogger
Celebrated Author Sabarna Roy bags Times Excellence Award 2021



Instagram: @authorsabarna

Website: www.sabarnaroy.com

Twitter: @authorsabarna


DisclaimerThis review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author. 



REVIEW


Winter Poems by Sabarna Roy is a collection of poetry divided into two parts, one of which comprises 12 long poems—Winter Poems 2010 and the other consists of 26 relatively shorter poems—Winter Poems 2012. As I often keep referring to Margaret Atwood’s words in my reviews, here too, I would say that once the book is out in the world, it’s the readers who decide the meaning of whatever is written. Sabarna Roy’s poetry in this collection has many layers to it. For some poems, I was able to peel off some layers of them. And for others, I wasn’t able to peel any layers of it, which, as a reader felt sort of frustrating that I couldn’t decode as in what hidden secrets or meanings I was missing on. In the following section, I have tried to convey what it felt like while reading this collection and I apologise already in case I get something wrong.


"This lake, mountain and moon are crumbling images inside a dream
Of another man - somebody else's dream - his last dream
Before he's dying drenched in a jelly of melancholy."
-From Winter Poems 2010 (no. 8, p-25)


I wouldn’t like to categorise these poems into distinct watertight compartments because the poems are spread across such a large canvas that it wouldn’t be fair to put tags on them. They each cater to many diverse and varied subjects or issues. Some of the many subjects that occur repeatedly are death, condemnation of industrialisation, impending war, love, being lost, childhood, games, loss, inequality, and the end of the world. 


For instance, the poet implicitly delivers the truth of death in a really creative way using figurative language and symbolism. ‘Shop in town…that sells your shadow’, ‘people are losing their shadows’, ‘a teenage girl hanging…in the air’ and ‘virus of light’—these are some of the usages of metaphorical and allegorical writing that add an unpleasant and poignant effect which helps depict the death. There is this amazing poem that I’d love to title ‘Love on the Road’ which powerfully defines a notion of home and what ‘home’ should be like. Which also simultaneously exudes emotions like loneliness, jealousy and challenges our decaying and cheap definitions of affection and sensuality. 


"You are the face of an ocean where I can drown endlessly
In my burning boats of thousand defeats."
-From Winter Poems 2012 (no. 1, p-35)


The one starting with ‘Glasses and utensils fell from the sky’ which is also the longest poem from the lot is my favourite too. Here, the poet uses poetic devices like hyperbole to create a dream-like world, giving it a dramatic effect and using an analogy, connecting it to the real world in a way that blurs the line between the two. The dreamy world is being inflicted with havoc as the narrator’s life is being destroyed. Another poem ‘Dream of a Dying Man’, is simply commendable. I am in awe of how magnificently Sabarna Roy has brought together surreal elements having nightmarish qualities.


The ‘Grassland Island’ poem challenges our notion of home again in a crooked manner. The poet uses allusion and symbolism to such an extent that it breaks its bond with reasoning; you just need to savour each line as you read while the narratives are turned and twisted at every other stanza. Moving onto the second part of relatively short poems, the poetic devices remain pretty much the same and the patterns continue. The poet has used the dreamy and illusory elements to their full potential. It feels as if the intensified emotions are being let out in a hauntingly creative and evocative manner. 


"Before I passed out and became sediment of ashes I saw a dream of billion coffins made of trees, metal and hydrocarbon fibres carrying unbundled skeletons of men, women, children and babies ballooning up in a smoke-filled sky."
-From Winter Poems 2010 (no.7, p-24)


There is gambling, there are ships, there is the writing of a book, there is the debris of a railway bridge, there are heaps of iron scrapings made out of crumbled ships and deluxe cars, there is a king travelling over the oceans on a speeding train and much more. Some of the poems followed this pattern (which I loved reading again and again) that made sense to me, while some of them did not make sense to me and felt absurd. As I mentioned earlier that once the book is out in the market, readers give it the meaning and here I just couldn’t do that. One thing that bothered me was that the poet chose vast canvases to paint his poetry that covered widely separated elements, which resulted in a disconnect with poetry and in itself. 

Happy Reading!



=========================

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Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Thursday, May 14, 2020

Book Review: Azrar and the Tale of the Curse by AKR | High Fantasy | Indian Author

Book Review

Azrar and the Tale of the Curse by AKR

Book Review: Azrar and the Tale of the Curse by AKR | High Fantasy | Indian Author | Dhiraj Sindhi | Indian Book Blogger
Azrar and the Tale of the Curse by AKR

Author: AKR (Ayush Kumar Rajput)

ISBN: 978-9385440540

Genre: Fantasy

Length:  232 Pages

Publisher: Petals Publishers (30th September 2018)

My Ratings: 🌟🌟🌟🌟

Order your copy right now: https://amzn.to/2WT19wX

About the author: 

Ayush Kumar Rajput writes under the pen name AKR. He is currently pursuing his MBA and has completed his graduation from KCMT. Besides studying, he loves reading about various mythologies of the world and wishes to present them with a seasoning of fantasy. AKR lives in Bareilly and is presently working on the next book in the Azrar series.

Book Review: Azrar and the Tale of the Curse by AKR | High Fantasy | Indian Author | Dhiraj Sindhi | Indian Book Blogger
AKR (Ayush Kumar Rajput)

Instagram: @i.am_a_k_r/
Twitter: @AKR8395
REVIEW

Summary

Azrar and the Tale of the Curse is a fantasy novel, set in the small village of the Leothe ─ perfect reflection of the Earth─ a world wonderfully created by the author, where the protagonist from the Earth becomes the guardian of Azrar; an ingenious and creatively plotted story about bravery and determination of the main character who selflessly sacrifices everything to protect Azrarians and reinstate power and splendor of the Azrar; that will fire your imagination and would excite you at times.

Narration

Azrar is actually a diary written by Henry Smith, containing his adventurous life story. It is narrated in first-person POV and follows the lead character, Henry. The writing style is pretty fantastic, which is compatible with the setting and the environment. The novel is divided into 21 chapters, where the reader gradually explores the world of Leothe. The language is simple and comprehensible including a lot of author-invented and strange-sounding nouns.

Location and Setting

Azrar is, well, set in a small village called Azrar, the residents of which are suffering from a curse. The story takes place in the year 2016 when Henry unknowingly travels from the Earth to the Leothe. The infrastructure and functioning of this kingdom are portrayed elaborately. Currently, it’s in ruins and indicates very little of what it used to be. Watchtowers, a cave protected with a password, enormous and beautiful castle, sculptures, royal gardens, ponds and a magical forest are some remarkable places you can find in this book. The Derindoras forest is visibly the source of magic for this land that possesses mystifying creatures and unfathomable structures and it is what sets Earth and Leothe apart.
Theme

It is commendable how seamlessly the author AKR has narrated the sequence about Henry finding himself in the whole new world. Indeed, it comes with shocks and surprises. As the story progresses, Henry comes to know about Azrar, the residents, their culture and most importantly, why he is supposed to be there. Every day is a new adventure for him until he sets Azrar free from the curse. Macwood, an important supporting character helps him through this. Henry learns fighting with the sword, gets familiarized with Azrar, fights massive saber-toothed cats called Narzies, becomes more knowledgeable about Azrarians and the curse, fights horned fiery monsters and gets to know more of the secrets concealed from him. Each chapter is packed with absolutely new things and a fresh adventure.

Plot

Children began to born dead in Azrar due to the curse. While some availed the privilege of life, but none could survive beyond the age of 20. There only remain 9 youngsters now who are waiting for their death. Although, when Henry came, Azrarians developed faith in him, as he could be the possible guardian according to the prophecy. He shares an intimate relationship with Meriul, daughter of Macwood. Meriul is one of those nine youngsters, which motivates him further to conquer anything that stood between them.

My Opinion

I personally loved this book and the world of Leothe. I have never read such high fantasy by an Indian author. The mechanism and functioning of this world are what captivated my attention, that not everything is magic-driven. You may find syntax errors here and there in this edition. Otherwise, it’s completely fine. The idea of this story becomes very clear after a certain point and delivers a strong message. The otherworldly setting and creatures don’t overshadow the human feelings and the accomplishment of the protagonist. Narzies are my favorites from Azrar.

Lastly, I would say, this could have been better. It lacks something. The bond between Henry and others seemed illusory. I wish there were other prominent supporting and opposing characters.

Happy Reading!

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Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Friday, October 4, 2019

Book Review : Tales from Bengal by Sourish Roy | Short Stories

Book Review

Tales from Bengal by Sourish Roy


Book Review : Tales from Bengal by Sourish Roy | Short Stories | Dhiraj Sindhi
Tales from Bengal by Sourish Roy

Author: Sourish Roy

ISBN: 978-8193963982

Genre: Short Stories

Length: 103 Pages

Publisher:  BIGFOOTPUBLICATIONS PVT. LTD. (2019)

My Ratings: 🌟🌟🌟🌟🌟

Order your copy right now: https://amzn.to/2ngloH5

About the author: 


Sourish Roy, an M.A. in English with distinction in Linguistics from Burdwan University and B.Ed. with specialization in Teaching Methodology from North Bengal University, has been serving as an Assistant Teacher in High Secondary school since 2005. With degrees in Classical Art from Nikhil Bharat Sangeet Parishad, he has also been a frequent practitioner in painting. Having earned professional training in Lead Guitar under the tutelage of Sri. Kaushik Bhattacharya besides being a vocalist himself, he also takes time out to musical ceremonies.

He is also a certificate holder of National Science Society. Alongside enjoying serenity in his multi-faceted life he has had experiences of trekking under the supervision of Himalayan Nature & Adventure Foundation, Siliguri.

From the very beginning, he has been a fond reader of good literary books. He took to writing at an early stage of his life with writing for the wall magazines and annual magazines in school and college. Now, as a writer, he has earned the renown of being dedicated to the daily life problems of the underprivileged class. His stories have been previously published in local English and Bangla magazines and pamphlets. His critical essays have also been provided space in some academic books.


Book Review : Tales from Bengal by Sourish Roy | Short Stories | Dhiraj Sindhi
Sourish Roy (right) receiving award for Best Short Story Collection Prize

Follow him on Instagram: @sourishjal
REVIEW

Narration

Tales from Bengal is a compilation of nine short stories depicting the serious transformation in the lives of villagers of Bengal in the last few decades of the twentieth century. Some of these short stories are narrated in first person point of view and some in third person point of view. This is the work of fine literature and Sourish Roy has put life in this book. Author narrates these significant stories using profound language and creative writing style. Each and every line says something, holds a meaning. One of the major trait of this book is, the voice which keeps you curious throughout the entire book.

Location and Setting

All stories are set in different lands of Indian state West Bengal. As I mentioned above, these stories take place in the most transformative decades of the twentieth century. Everything was changing in the sense of science, technology, entertainment and politically also. Sourish Roy has portrayed this picture in context of Bengal. All stories have major influence of Bengal and its culture and anything you could imagine. Author has tried to include as many topics as possible and made this book nothing less than a carnival of a sort.

Theme

While these stories are all distinct, they really seemed to me somewhat related but actually, they are not. The first story ‘Absolution’ is about accepting one’s limitations. ‘Anomaly’ is about the flaws come with evolution. ‘Iron irony’ depicts the story of a blacksmith going through the sudden development of marketing strategies. ‘Ratan’s Maa’ shows how, healthcare was made available to a commoner, which once they were deprived of. ‘The abstainer’ sketches the picture of a young, an incompetent descent to the family heritage. ‘The Handyman' tells a story, where a man was robbed of everything because of government’s empty pocket. ‘The Magician’s Plight’ is a story of a magician (a migrant from another country), who discovers the light after a huge loss. ‘The Mail-bearer’ is indeed a story of a mail-bearer and story which serves the message of ‘Perseverance never goes unpaid.’ And the last ‘The Quack’ is the story of a doctor who was denied the dream he had given his all away for, not once but twice.

My Views

If I have to retitle these stories with an adjective, it would be shattering, devastating and what not. While urbanization brought massive transformation, it wasn’t good for everyone. As the author says, these villagers are still waiting for elevation in their wretched living, which would probably take more time and until then would undergo numerous changes as depicted in the book. I really loved each story and devoured them again and again to re-ingest those feelings of pain and acceptance. It also made me reminisce the stories my grandma used to tell and this book had similar vibes, Sourish Roy made each story unforgettable by his literary skills.

Happy Reading!

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Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

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