Fake Dates and Mooncakes by Sher Lee | YA Romance

          

"Fake Dates and Mooncakes by Sher Lee"
Book Review by Dhiraj Sindhi

Fake Dates and Mooncakes by Sher Lee

Author: Sher Lee

ISBN: 978-1035028313

Genre: Young-Adult Romance

Length: 272 Pages

Publication Date: 15^th June 2023

Publisher: Pan Macmillan India

Cover Art: Myriam Strasbourg | Website: www.myriamstrasbourg.com

Cover Designer: Casey Moses | Website: www.caseymoses.com

Order your copy right now: https://amzn.to/44LeZ5u

About the author:

SHER LEE writes rom-coms and fantasy novels for teens. Fake Dates and Mooncakes is her debut. Like the main character, she has made mooncakes with her favorite aunt and has an abiding love for local street food (including an incredible weakness for xiao long bao). She lives in Singapore with her husband and two adorable corgis, Spade and Clover.

Sher Lee with Spade and Clover

Instagram: @sherleeauthor

Website: sherleeauthor.com

Disclaimer: This review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author. 

REVIEW

"Fake Dates and Mooncakes" is a feel-good teen drama that had me hooked from the very first page. From the outset, it was clear that FOOD would play a vital role, and the delectable prose, steeped in Singaporean and Chinese culinary traditions, lived up to the promise hinted at in the title. Set in the vibrant backdrop of Brooklyn and the Hamptons, the narrative unfolds through the eyes of Dylan. His world revolves around family – Aunt Jade, along with her children Megan and Tim, not to mention their lovable pet, Clover the Corgi. Dylan grapples with a life-altering decision, torn between pursuing a career as a veterinarian or a chef. At the heart of it all lies Wok Warriors, Aunt Jade's Singaporean-Chinese takeout restaurant, where Dylan lends a helping hand when he's not buried in his studies. However, his world takes an unexpected turn when Theo, the son of a wealthy businessman, enters his life. Theo crashes his cousin's wedding uninvited, with Dylan reluctantly posing as his pretend boyfriend.

Watching Dylan navigate the world of "rich-people problems" alongside Theo was undeniably adorable. Dylan agrees to this charade because of his growing fondness for Theo. On the flip side, Theo's character raises some eyebrows. More often than not, Theo's well-intentioned actions and privileged background seem to bring more chaos than harmony into Dylan's life. Their relationship becomes overshadowed by the financial support Theo provides. Consequently, the focus shifts away from matters of love or genuine dating; it becomes more about friendship and Dylan's reliance on Theo, as it appears he has no other confidant in this endeavour—winning the mooncake-making contest to save Wok Warriors.

Honestly, I found it challenging to see their relationship as anything beyond friends with benefits. Dylan brings emotional depth to their connection through his rich cultural values, while Theo helps Dylan navigate the challenges of opulence, attention, and some rather indifferent individuals. This dynamic didn't resonate with me. Their relationship feels shaky right from the start, lacking the profound connection I was hoping for, aside from a few symbolic gestures like the bracelet, baseball cap, and 'remembrance,' which contribute to the plot but don't really add depth to their bond. However, apart from the aspect of love, other themes are skillfully woven into the narrative. I found myself captivated by the exploration of the legend of Chang'e, the sensitive handling of xenophobia, the tantalizing food, and the intricacies of mooncake-making. Whether you're seeking solace in a comforting read during your leisure time or looking to mend a wounded heart, this book is a perfect choice.

Happy Reading!

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A House Full of Men by Parinda Joshi | A Book Review

 

A House Full of Men by Parinda Joshi

Book Review by Dhiraj Sindhi

A House Full of Men by Parinda Joshi (Cover design: Sudeepti Tucker)

Author: Parinda Joshi

ISBN: 978-9354227011

Genre: Contemporary Fiction 

Length: 357 Pages

Publication Date: 8^th September 2021

Publisher: HarperCollins India

Cover Design: Sudeepti Tucker

Cover Designer: Website: platform-mag.com/ | Instagram: @sudeepti.tucker

Order your copy right now: https://amzn.to/2ZtAiwj

About the author:

Parinda Joshi was born and raised in Ahmedabad and later immigrated to Los Angeles with her new husband where she navigated the challenges of starting life from scratch in an unfamiliar milieu, enriching herself with an MS in computer science, testing her limits and redefining herself. She now resides in Silicon Valley where leads growth analytics for a startup in the fashion industry, is mother to her precocious mini-me, a budding screenwriter, a lover of modern poetry, fitness enthusiast, an avid traveler and photographer and a humor junkie. She is the author of two novels, Live From London and Powerplay. She has also contributed to a short story anthology, The Turning Point: Best of Young Indian Writers, and several online publications including GQ India and The South Asian Times (New York).

Parinda Joshi

Instagram: @parindajoshi

Twitter: @parindajoshi

Website: parindajoshi.com

Disclaimer: This review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author. 

REVIEW

Hooking its readers from the very first page, A House Full of Men by Parinda Joshi—a contemporary fiction novel, introduces you to its complex protagonist with a complicated past that is weighing her down with anxiety laden with overthinking, misgivings and trepidations. After the demise of her mother some 10 years ago, she takes it upon herself to fill in the void that her mother has left in the Pant household and the lives of her grandfather—‘High BP’, her father—Ravi and her twin & younger brothers—Shamik and Nishant. Maybe because of the deep-rooted patriarchal mindset, she thinks, if not her, who will? Thus, she is the only woman in a house full of men, including a male dog—Bark Twain and a frame of PG Wodehouse in her bedroom.

The novel gains tremendous pace after 100 pages of the establishment of characters and the situation as in where the protagonist stands in her life. The spirit of this book is its characters that are either highly relatable or straight out of your screens that your mind actually associates the faces of actors to these characters. My favourite character is the soul of the Pant household—Kittu’s grandfather, who is portrayed as mostly witty and sarcastic, still the wisest of all. His humour is the best from what I have read recently. The novel, for a significant part, seemed to be inspired by Bollywood and Indian Television tropes, which makes that part completely irrelevant yet funny at its best. 

Kittu’s life is getting rough by day as her relationship is dying and she thinks she has got no one by her side to listen because her family members are mostly busy arguing with each other, and if not, dealing with their own issues. Kittu cares for everyone in the house but because of gender differences, no man of the house addresses or recognises her problems, be it long-persistent anxiety issues with regards to travel or her love life. This leads to Kittu closeting her feelings and emotions and out surfaces her personality that is obsessed with setting things right even if there’s nothing to fix, which makes her a complex character, a blend of pure concern and love for everyone, ambitions, a dozen troubles and unwanted thought spirals. 

Considering the overall story, there are quite many adventures, moments and dialogues that I loved reading. The relationship Kittu shares with other characters in the novel is crafted cleverly to induce a sense of attachment, which readers will happily subscribe to, instantly. The climax and the end are pretty satisfying as the author manages to wrap everything up smoothly. On the other hand, there are some references and details that don’t fit the narrative. Lastly, the author has tried to address the issues of name-calling and bullying. While the author may have achieved the effect she wanted to produce, although a part of it also encourages the internalization of such practices as well as homophobia. The said passages may be intended to be a mirror to the world or to tackle the very subject, but that would be incomplete or unfair unless of course, condemned the right way. 

Lastly, in A House Full of Men, I found a character with whom I could relate at many levels. Illustrious writing style along with some brilliant characters, this novel captures how holding grudges and prejudices can turn you into a different person altogether.

Happy Reading!

Thank you @vivekisms for the review copy!

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It Must Have Been Love by Jigar Prajapati | Book Review

 

It Must Have Been Love by Jigar Prajapati

Book Review by Dhiraj Sindhi

It Must Have Been Love by Jigar Prajapati

Author: Jigar Prajapati

ISBN: 978-9390441068

Genre: Contemporary Romance

Length: 168 Pages

Publication Date: 8th December 2020

Publisher: Srishti Publishers & Distributors

Order your copy right now: https://amzn.to/3y8WHM0

About the author:

Jigar Prajapati holds a Bachelor’s degree in Civil Engineering. Having finished his schooling in regional language, writing a book in English seemed like a distant dream. But writing became his passion during his post-graduation in Construction Management. Now, along with being a well-known builder in Ahmedabad, he is also writing to his heart’s content.

Jigar Prajapati

Instagram: @jigar_author

Facebook: @JigarMPrajapati

REVIEW

It Must Have Been Love, as the title and cover suggest, is a contemporary romance book written with the plainest of words that stirs up a storm of thoughts, questions, opinions, and judgments regarding the characters’ actions; whether they are right or wrong, appropriate or inappropriate, good or bad. While some dramatic fragments seem to be inspired by Bollywood and daily soap operas, other segments are creative, fun, and cleverly plotted that keep you rooted in the story being told. 

The book starts with chapter zero called ‘The Beginning’ where Jigar has used author surrogate to narrate the chapter with humour. However, that doesn’t last long as he finds one of the lead characters Maan crying at the airport. The rest of the chapters are narrated by Maan, telling his story until the last chapter, which is again narrated by the author surrogate.

Maan’s story starts with his first day at college followed by the making of friends and their hostel adventures. Here, he becomes best friends with Naaz, who is a brilliant character. While they are still not sure about their feelings for each other, Maan decides to marry the girl he met in the process of matchmaking upon his parents’ insistence. This results in subsequent imprudent choices that they both are going to regret later. Maan and Naaz are pretty decent characters but confused AF nonetheless. This makes them classically tragic hero and heroine. 

What I liked:

My most favourite part of this book is the ending that starts shortly before the author surrogate takes over the narration once again. The end makes it up for the mess that has been created by these two. Again, Jigar and his wife, Mona steal the show with their humour-filled venture. 

Secondly, I liked many scenes that could be viewed independently of the storyline, character arcs, etc. These are mostly witty situations sprinkled throughout the book. For instance, Hostel Diaries, College Fun Moments, Attending Marriage and Other Functions, Friendship Goals, etc.

Lastly, I admire the fact that this book is balanced in every way. For instance, I think there is the presence of karma, which serves the characters well. There is also a balance of misery and pleasure, love and deceit, f-ups created by Maan and Naaz, etc. 

What I disliked: 

The book is written in plain language that obviously goes to follow ‘tell, don’t show’, which is quite understandable, although it leaves the onus on readers to wholly interpret and comprehend the storyline, scenes, character arcs, and most importantly, relationship dynamics with the text constrained by limited creativity and exposition.

Another thing that I didn’t like about this book is that I found Maan to be an unreliable narrator. 

Lastly, the typical dramatic stuff, particularly, the ones that went to an extent to make you believe that it’s not the choices of a person but the destiny that is to be blamed.

Happy Reading!

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