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Showing posts with label Book Review. Show all posts
Showing posts with label Book Review. Show all posts

Sunday, June 13, 2021

Pallavi Aiyar’s Modern Fable 'Chinese Whiskers' Traces Highly Changeable Nature of Humans

Pallavi Aiyar’s Modern Fable 'Chinese Whiskers' Traces Highly Changeable Nature of Humans

Book Review by Dhiraj Sindhi


Chinese Whiskers: The Adventures of Soyabean and Tofu in Beijing by Pallavi Aiyar


Book Review: Chinese Whiskers by Pallavi Aiyar | Dhiraj Sindhi | Indian Book Blogger
Chinese Whiskers by Pallavi Aiyar


AuthorPallavi Aiyar

ISBN978-9390351633

GenreContemporary Fiction (Modern Fable)

Length: 242 Pages

Publication Date15th December 2020

PublisherHarperCollins India

Cover Design: Aaryama Somayaji

Cover Designer: Website: highonmangoes.com | Instagram: @highonmangoes

Order your copy right now: https://amzn.to/3xi7brw


About the author:

Award-winning journalist Pallavi Aiyar has spent several years reporting from, and parenting in, China, Europe, and Indonesia. She is the author of Smoke and Mirrors, Chinese Whiskers and Punjabi Parmesan. Pallavi is a World Economic Forum Young Global Leader, and a former Reuters Fellow at Oxford University. She currently lives in Spain with her family – human and feline.


Book Review: Chinese Whiskers by Pallavi Aiyar | Dhiraj Sindhi | Indian Book Blogger
Pallavi Aiyar

Instagram: @aiyarpallavi

Twitter: @pallaviaiyar

Website: pallaviaiyar.com/

Facebook: @paliaiyar


DisclaimerThis review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author. 

"I started reading Chinese Whiskers when I was trying to cope with the Covid fatigue and anxiety because it seemed to me a feel-good, fursome book that could give me exactly what I wanted - joy and light. And since I have a cat visitor who everyday visits my home, it doubled my excitement and reading experience. I had not been reading for some time, but this book got me out of my reading slump. "


REVIEW

The novel coronavirus disease swept across the world recently, wreaking havoc in its wake to be coped with for the coming indefinite period of time. No sooner had the pandemic hit us than we made startling headlines such as this—“Our neighbours made us Covid-19 Pariahs” and this—“Doctors, nurses forced out of the flat by society”, and this—“Cleared by doctors, not by the public”. The social stigma during epidemics is nothing new because, for us humans, it is easy to blame or associate the fear of the unknown to ‘others’. From leprosy to Covid-19, the social stigmatization has posed a serious threat to the lives of health workers, patients, and survivors in the form of harassment and physical violence, making an already testing situation harder to fight with. If we can do this to our fellow beings, then animals don’t stand a chance to be excluded from such ostracism. Right, am I not?

 

The newly published edition of Pallavi Aiyar’s Chinese Whiskers—originally published in 2010 following the plotline based on the episodes of Chinese history such as the spread of SARS virus in 2003, Olympic Games, and tainted pet-food scandals—deals with the very idea of our coexistence with other living organisms, amongst a range of other subjects. Chinese Whiskers is a modern fable that throws us into the chaotic and ever-shifting landscape of early 21st century China; told from the perspective of two cats belonging to different backgrounds who are eventually brought together when a foreign couple (Mr. and Mrs. A)—living in traditional style courtyard in Beijing’s hutongs—adopts them. So, they start their new, indoors, pampered lives, away from their biological families.


Soyabean used to live in the courtyard of the Siheyuan (historical type of residence commonly found throughout China) owned by the Xu (human) family, where he was pampered by the grandmother of the Xu household who personifies Chinese traditional and cultural values, which her grandson is least bothered to recognize. Soyabean is a plump, funny, energetic, and proud cat who is now beyond excited at the prospect of modelling for a cat-food brand—Maomi Deluxe’s ad. On the contrary, Tofu is a skinny, quiet, anxious, and clever cat who used to live with her stray cat mother and her four brothers in a dustbin situated on a college campus and in the backyard of a once-famous professor—Old Man Zhao, who was denied the permission to teach after he wrote a book, controversial enough to cause agitation among powerful people.


As apparent it may seem from these little extracts from characters’ lives, there are distinguishable motifs in the stories they tell—some concerning economic inequality, some concerning moral disengagement, and so on. Pallavi has so effortlessly incorporated such heavy subject matters in a light, witty and innocent narrative of the felines that children could handily comprehend and reckon these patterns in their surroundings. Once these furballs take up space in your heart, there is no way they’re meowing out. They’ll charm you to care about them just like you would feel for your real kitten friends. You would want to stick with them through thick and thin.


This feel-good contemporary fiction picks up the pace and builds up tension as Tofu gets warned by her brother, “Ren are walking around with great white masks tied over their mouths so you can’t see their lips when they talk.” There are three major themes intertwined throughout the book. The first one deals with the “Bing du” virus outbreak, its effects, and people’s reaction to it, especially to the part where rumours suggest cats are the source of this virus. Another one contributes to the subject of rampant consumerism and its macro-economic, social, and ecological implications; how it can be used by wealthy people to fool or exploit their consumers. Global inequality is one such outcome of consumerism, further widening the gap between the rich and the poor in the age-old saying, “The rich get richer, the poor get poorer.” The third theme touches on the subject—empathy and morality. It is literally that “moral lesson” that every fable brings along. Apart from that, there are adventures, there are victories, there is hypocrisy, there is government, there are migrant workers, and there are protests.

 

Pallavi has cleverly given voice to not just two cats but two separate classes of cats—indoor cats and alley cats. The amusing and heartening viewpoint coupled with a page-turning plot makes Chinese Whiskers a pleasurable read. Moreover, this edition contains pawful of adorable illustrations by Aaryama Somayaji that really pour life into the story. I learned many Chinese words also that I have gotten used to.


Book Review: Chinese Whiskers by Pallavi Aiyar | Dhiraj Sindhi | Indian Book Blogger
Illustration by Aaryama Somayaji ©highonmangoes

In the end what you can take away from Chinese Whiskers is—what really matters is how we are striving to become more inclusive of others, not just humans, but all the living organisms and what kind of legacy we’re building to leave behind for our future generations. We need to learn before we have to learn it the hard way that we humans cannot heal on our own. Many fragile ecosystems are on the verge of collapsing. We need to respect and preserve the biodiversity of our ecosystems to develop more sustainable environments. The least we can do is embrace the idea of coexistence, be compassionate towards Soyabeans and Tofus around us because we, together with the plants, animals, and other organisms, complete our life-sustaining planet. 


Happy Reading!


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Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Sunday, May 16, 2021

Book Review: The Part I Left with You by Rahul Saini | Contemporary Fiction

    

Book Review

The Part I Left with You by Rahul Saini


Book Review: The Part I Left with You by Rahul Saini | Contemporary Fiction | Dhiraj Sindhi | Indian Book Blogger
The Part I Left with You by Rahul Saini

AuthorRahul Saini

ISBN978-9353451585

GenreContemporary Fiction

Length: 236 Pages

Publication Date30th March 2021

PublisherJuggernaut Books (Sales and Distribution - HarperCollins India)

Cover Design: Amit Malhotra 

Cover Designer: Website: https://www.amit-malhotra.com/ | Instagram: @gul_e_abbasis

Order your copy right now: https://amzn.to/3yhCQug


About the author:

Rahul Saini has a master’s degree in English literature. He is the bestselling author of many novels, including Those Small Lil Things: In Life and Love and Paperback Dreams.


Book Review: The Part I Left with You by Rahul Saini | Contemporary Fiction | Dhiraj Sindhi | Indian Book Blogger
Rahul Saini

Instagram: @writingrahul
Facebook: @rahul.saini.1213
Twitter: @writingrahul
YouTube: Writing Rahul



REVIEW


“Love feels like a great misfortune, a monstrous parasite, a permanent state of emergency that ruins all small pleasures.” – Slavoj Žižek
“Love feels like a great misfortune, a monstrous parasite, a permanent state of emergency that ruins all small pleasures.” – Slavoj Žižek


The Part I Left with You by Rahul Saini is a light-hearted, chucklesome and unputdownable contemporary fiction novel that dives deep into the waters of love; while exploring varied opinions on and experiences of love, relationships, break-ups and moving on, it strives to close in on the realities of this ‘ugly and cruel world’. The book narrates the stories of three main characters – one mostly witty, another melancholic, esoteric and the third who is turning over the page she was stuck on for long in order to start afresh.


The narration of this book involves all these three characters’ POVs. It is a fine and balanced mixture of different kind of narrative techniques, including first-person, third-person (limited omniscient) and epistolary style, which in my opinion, completes any piece of literary work because using these literary devices in the non-linear narrative writing keep us readers hooked and emphasizes on little themes of the story and it is what makes a truly gripping novel such as this. Rahul Saini has handily achieved this. On top of everything, the cozy contemporary writing style worked like a charm on me.


“Artists’ lives are just endless struggles and that struggle ends only with their last breaths.” – Rahul Saini
“Artists’ lives are just endless struggles and that struggle ends only with their last breaths.” – Rahul Saini


Talking about the content, each of the 34 chapters seemed to me like a separate short story discussing a distinct subject, idea or viewpoints, or narrating a subplot, backstory or (my favorites from this book) completely different short tales – story within a story – fascinating and magnificent. What I mean to say is that these chapters have something very unique to offer from craziness to drama to dreams to arguments to philosophy to romance to thrill to sorrow…you name it. These all short stories are linked together by these three characters and what they are seeking out.


Having said that, let me briefly introduce you to the characters. Ratna is in love with her favorite author, Ronit Sukhdev. The book opens with this amazing poem titled ‘Not Gibran, On Love’ written by Ratna (honestly, I recorded this poem several times day after day, but like most of you, I hated my recordings, so it only made to one of my best friends), for she is a literature and journalism student and for this fact and a little lie, she gets an opportunity to stay with the love of her life for a few days. While ecstatic Ratna wants Ronit to be a little cheerful if not as much as her, Ronit‘s life has come to a standstill as he hasn’t yet gotten over his break-up with Nitasha. He has completely isolated himself from the world and does not wish to publish his work anymore. It has been a year since the break-up and Nitasha is finally coming to terms with her choice of letting go of her relationship with Ronit and she’s carving the way out with newfound hope.


“To learn an art is an act of meditation. You can’t keep jumping around, running all the time, trying a hundred things, understanding nothing and pretend that you are learning everything.” – Rahul Saini
“To learn an art is an act of meditation. You can’t keep jumping around, running all the time, trying a hundred things, understanding nothing and pretend that you are learning everything.” – Rahul Saini


The best thing about this book is that it has books everywhere. In every alternate chapter, you can find book titles, quotes, bookstores or other bookish stuff. The author has expounded a lot of powerful arguments, opinions and statements on love, life and the world that are worth knowing by heart. I would like to quote a few such lines here. However, it doesn’t make the book downright ‘serious’. Nope. Rahul Saini has totally wrung out the essence of comfort and amiability from the writing style. Ratna’s character is a witty character, for she can turn anything into humour, be it because of her lack of wisdom or her childlike behavior. She’s a humorous character indeed, but not a caricature at all! I loved everything she did and how she behaved around her crush, for whatever reason, because I can’t imagine staying with my crush and not messing up. She made me laugh and some lines made me emotional too.


The primary theme of the book is what the title suggests. While it’s not appropriate to reduce any work to a sentence, it represents an idea that ‘when two people spend a lot of time together, they lose themselves and gain each other’. This is what is happening in the book. Now, I won’t go in-depth regarding this. There are plenty of other subjects discussed and tackled in those individual short stories I talked about, forming minor themes and elements that hold the potential to make a real difference. There are also things that you would want to ignore, which are just characters being themselves.


“If creative people were happy with the world around them, they would never feel the urge to create anything new.” – Rahul Saini
“If creative people were happy with the world around them, they would never feel the urge to create anything new.” – Rahul Saini


Anyway, my favorite take-away from this book are those unforgettable, significant stories/chapters that provide you the food for thought. Some of these are – one on Slavoj Žižek (yeah, I copy-pasted that), another on the mirror phase, and the third titled, ‘The Shark in the Pool’. Apart from that, I liked Ratna’s relationship with her father and the depiction of how differently books are important to the lives of authors and readers. Not eulogizing, but I can’t express my admiration enough for the illustrious writing style that really got me high; I relished it, of course except for a few parts.


Lastly, ‘The Part I Left with You’ is a charming, cozy contemporary book and an absolute page-turner that you would want to read around this time to feel lighter; it has way more tales and joy in store for you than what its synopsis promises. 


“When two people spend a lot of time together, they lose themselves and gain each other.” – Rahul Saini
“When two people spend a lot of time together, they lose themselves and gain each other.” – Rahul Saini


Happy Reading!

========================
DisclaimerThis review is only intended for initiating discussions. The opinions and views presented in this article are my own and do not reflect anything about the book's author.

Follow me on InstagramFacebookTwitter, and Pinterest. Don't forget to subscribe. Don't forget to subscribe for more content. Thank you so much for reading!

Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Sunday, May 2, 2021

Book Review: Red-Rum muR-deR by Sourish Roy | Murder Mystery and Detective Fiction Novella

    

Book Review

Red-Rum muR-deR by Sourish Roy


Book Review: Red-Rum muR-deR by Sourish Roy | Murder Mystery and Detective Fiction Novella | Dhiraj Sindhi | Indian Book Blogger
Red-Rum muR-deR by Sourish Roy

AuthorSourish Roy

ISBN978-8195039234

GenreMurder Mystery, Thriller & Detective Fiction

Length: 70 Pages

Publication Date23rd February 2021

PublisherBigfoot Publications

Rating: 🌟🌟🌟🌟🌟

Order your copy right now: https://amzn.to/3t9RiRl


About the author:

Recipient of the Best Short Story Collection Award at Konark Literature Festival 2019 and ICMDR Awards Mumbai 2020 respectively along with many other medallions of honor and felicitation all across India for his debut book TALES FROM BENGAL, Sourish Roy, has already earned the renown of being dedicated to the daily life problems of the underprivileged class. His stories have been regularly published in English and Bangla dailies and magazines. His critical essays have also been provided space in some academic books. Now with Red-Rum muR-deR he looks to embark on a new journey into the realms of thrill and mystery.


Book Review: Red-Rum muR-deR by Sourish Roy | Murder Mystery and Detective Fiction Novella | Dhiraj Sindhi | Indian Book Blogger
Sourish Roy


Facebook: @sourishjal

Instagram: @sourish_roy_author

Twitter: @sourishjal


REVIEW

Summary

Red-Rum muR-deR by Sourish Roy, primarily, a murder mystery and thriller can also be put into the subcategory – detective fiction; set in the college campus premises located at the outskirts of Jalpaiguri, a suburban town in West Bengal, where a detective-aide duo of college professors embark on the journey of unearthing the innermost secrets and deciphering the conundrum in order to unravel the murder mystery that hides behind it the grim downside of dissipation and debauchery; this is a perfect conglomeration of whodunit and howcatchem bringing about a unique sensation to mystery element; while the book imitates modern-day classic literature through the author’s flowery language, it also opens a discussion on the elephant in the room, a subject that is mostly avoided; this cleverly plotted mystery novella empowered with enticing writing style, shrewd detective, sensuality, and a compelling riddle will keep you pondering even after it ends.


Review

Now, I’ll briefly take you through a few elements of this murder mystery.

Setting: In any detective fiction, setting plays an important role; the story and its setting are inseparable elements. Here, the setting can be defined as the college campus and specifically, the crime scene inside the boys’ hostel. The story takes place during the Durga Puja—an annual socio-cultural and religious festival marking the victory of goddess Durga in her battle against the shape-shifting asura, Mahishasura; popular in and celebrated by Bengalis, Odia, Maithils, and Assamese communities. 

The story also starts with this quick-witted and splendid conversation between two college professors on the subject regarding the splendor of the puja festivities. This sets the tone and the theme right for the upcoming events. Apart from the puja, the story focuses on the squalid condition of the hostel and the disordered room in particular, around which most of the sleuthing occurs. These all elements permit the deadly event and the investigation as well.


 A murder: The murder is the catalyst and center of the novella. This crime as it should be is a seemingly unsolvable mystery at first. However, the story is a combination of whodunit and howcatchem. You know the series of events that led to the murder, yet it remains as suspenseful as ever because you are still on the lookout for ‘who’ and ‘how’. Here, the victim is a student who is found dead in the hostel room on the day of shoshthi.


Detective-aide duo: Sourish Roy has done a commendable job at developing these two complementary characters—Saranya and Sankhajit. Saranya is a highly skilled problem solver, who possesses traits of being objective, logical, pensive, and observant. Yes, pretty conventional. Sankhajit is that intellectually inferior sidekick that most popular detective fiction novels happen to have. Here, Sankhajit is a narrator for the most part of the story. The dialogues and tones in the book are compelling and often incorporate allegories, symbolism, and metaphors, further intensifying the mystery.


Suspects and the antagonist: The most remarkable part of the book is the subject that brings together suspects, the victim, and the antagonist. The book, for most of the part, contains mystery-solving by Saranya, Sankhajit, and the Officer-in-Charge Dibyendu Lahiri. There is almost everything that you can expect from average detective fiction when it comes to uncovering the mystery and the duo does a fabulous job. There are multiple people involved in the act and because the book is a novella, you come to know ‘who’, ‘why’, and ‘how’ at the very end during the climax and it’s all done just like that. It is quite impressive how the author has managed to accommodate such details in the minimal word count. There is a morally depraved antagonist. There are suspects having more or less the same virtue as the victim and the antagonist.


Theme: I would personally prefer Red-Rum muR-deR as detective fiction, having murder mystery for the central theme. Five out of eight chapters are dedicated to the quest for the truth. Two out of the remaining three chapters are narrated in the third-person POV narrating the story in a different timeline that eventually leads to the crime. This blend of two different styles of writing detective fiction proves to be crucial for this particular short book. The pre-eminent subject which the author has deftly tackled is – adultery. I loved how conveniently it has been established as an inseparable part of the story. In the end, the author draws a line between being liberated and being promiscuous, which is a very subjective matter and thus opens an unending debate on the addressed subject. The author has fitted in literal riddles and incoherently so, although it only encourages you to interact with the story.

 

All in all, this extremely short book, which you can finish reading in the span of a couple of hours has in store for you a completely unique and a classic experience emerging through exuberant writing style and the unification of mystery with sensuality.


Happy Reading!

========================
DisclaimerThis article is intended for review purposes only. The author does not promote or recommend any behavior illustrated here or claim it to be useful.

Follow me on InstagramFacebookTwitter, and Pinterest. Don't forget to subscribe. Don't forget to subscribe for more content. Thank you so much for reading!

Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Friday, April 2, 2021

Wuthering Heights by Emily Brontë | A Review Cum Analysis

   

Book Review

Wuthering Heights by Emily Brontë


Wuthering Heights by Emily Brontë | A Brief Book Review | Dhiraj Sindhi | Indian Book Blogger
Wuthering Heights by Emily Bronte

Author: Emily Jane Brontë

ISBN: 8188280062

Genre: Tragedy and Gothic Fiction

Length: 343 Pages

Publication Date: 2002 (Originally: December 1847)

Publisher: Wilco Publishing House (Originally published by Thomas Cautley Newby under the pseudonym – Ellis Bell)

Order your copy right now: https://amzn.to/3mcne5Q


About the author:

The daughters of an Anglican clergyman, Charlotte, Emily, and Anne, lost their mother in early childhood and were brought up in Yorkshire moors. All of them wrote novels and poetry that have since become the Classics of today. Charlotte's Jane Eyre' and Anne's 'Agnes Grey join the immortality status along with Emily's 'Wuthering Heights', and her own great poems.

Emily (Jane) Bronte was perhaps the most prolific writer of the three. It is her lucid verses however, which reveal her real genius.

In a stroke of misfortune for the literary world, the Bronte sisters lived very short lives. Emily and Anne died of tuberculosis at 30 and 29, and Charlotte at 39, during her pregnancy.

Emily's brilliance lives on – with her widely read poems, and of course, with her spellbinding: Wuthering Heights.


Wuthering Heights by Emily Brontë | A Brief Book Review | Dhiraj Sindhi | Indian Book Blogger
Emily Bronte

Bronte Parsonage Museum: https://www.bronte.org.uk/


REVIEW

As you, my readers’ fam, may know that I generally do critical and analytical reviews on my blog, divided into sections based on fundamental literary elements like plot, characters, themes, setting, etc. However, I will not be diving deep into these technicalities for this particular review, because I am planning for yet another reading, focusing on a couple of specific themes. So, without further ado, let’s see what I have been able to perceive so far.

Review

Wuthering Heights by Emily Bronte was part of my British Novel course, for which I took an examination in February 2021. Although I wasn’t able to read the novel, I had to study it for my exams as I had resolved to pick out Wuthering Heights from amongst all the choices provided. That’s why I was equipped with its summary, analysis, critical essays, and the like before I started reading the novel. But thankfully, for the timeless and mysterious proses, impeccable articulation emanating wildest imaginations, and its ability to transport you to different time and space, as the classic texts often do, my prior knowledge of the text did not even slightly affect my reading experience.

Wuthering Heights showed me myriad shades of human emotions and the destructive consequences of our intense reactions to them. Every character from the novel, at some point in time, seemed to me a villain; their villainy characterized by antipathy, revenge, shifting identities, dishonesty, violence, ill-intensions, etc across all plausible age groups. Having said that, at some point in the novel, each character exuded raw, pure, intuitive, and wild feelings of love, passion, and/or commiseration that I couldn’t keep myself from loving the characters. Well, that’s about the primary theme of the novel, you could consider, leading the narrators to comment on characters and their ways based on their own understanding and commitments towards moral theology; drawing a line between good and evil.

Another major concern that Wuthering Heights brings forth is the presence of gothic elements. The reason that these gothic elements are so naturally and conveniently accommodated in the book is the novel’s setting. Wuthering Heights, as the title suggests, is set in the eerie and gloomy Yorkshire moors and those two country houses/dwellings prevalent throughout the novel – Wuthering Heights and Thrushcross Grange – completely isolated from the surrounding villages. The tumultuous, violent, and raging weather that this setting is often subjected to, symbolizes the dark and negative emotions of characters; the emotions probably leading the characters to unconsciously practice grotesque yet passionate yet unconsummated romance, necrophilia, incest, cruelty, jealousy, revenge, and betrayal. Apart from these, the mysterious, dark, and moody character of Heathcliff emerges as a gothic villain. And his lover, the female protagonist, Catherine Earnshaw is a free spirit, selfish and headstrong; her loyalties torn between two men – her soulmate Heathcliff, and her husband Edgar Linton, who becomes to Catherine a tool for preserving her social status.

The desire for power and social structure has a pronounced influence on the characters of Wuthering Heights and become determining factors for the course of action. The novel put greater emphasis on death, attaining higher and spiritual levels of meaning and being. The lead characters defy even present day morals and ethics; breaking the barriers of an average romance story; powerful and supernatural romantic imagination cutting across the boundaries of heaven and hell; a love story beyond comprehension, reason, civilization, and order, this wildly creative novel seeks an alternative to the basic nature of everyday reality.


Happy Reading!

========================
DisclaimerThis article is intended for review purposes only. The author does not promote or recommend any behavior illustrated here or claim it to be useful.

Follow me on InstagramFacebookTwitter, and Pinterest. Don't forget to subscribe. Don't forget to subscribe for more content. Thank you so much for reading!

Will see you in the next post. Till then buh-bye. Take Care. Peace. ☮

Monday, February 1, 2021

Book Review: The Genius of Indraprastha by Harshwardhan

  

Book Review

The Genius of Indraprastha by Harshwardhan (Gondwana Chronicles Book #1)


Book Review: The Genius of Indraprastha by Harshwardhan | Dhiraj Sindhi | Indian Book Blogger
The Genius of Indraprastha by Harshwardhan



Author: Harshwardhan Padole

ISBN: 978-9389004427

Genre: Historical Science Fiction 

Length: 373 Pages

Publisher: Om SaiTech Books Publishers & Distributors (25th December 2020)

My Ratings: 🌟🌟🌟🌠

Order your copy right now: https://amzn.to/2MbIT0x

About the author:

Harshwardhan Padole, born in 1986, is a graduate from Visvesvaraya National Institute of Technology, Nagpur. He later studied Business Management from prestigious MDI, Gurgaon. After testing his skills in Indian IT Industry for a brief time, he is currently working in the Indian Defence Aerospace Industry for last one decade.

He is a passionate reader of fiction works and biographies and considers J. K. Rowling, Sidney Sheldon, Jeffrey Archer and Amish Tripathi as his writing mentors. The Genius of Indraprastha is his debut book inspired from his understanding of India’s cultural history and Indian epics.


Book Review: The Genius of Indraprastha by Harshwardhan | Dhiraj Sindhi | Indian Book Blogger
Harshwardhan Padole


REVIEW

Review Summary

The Genius of Indraprastha by Harshwardhan is the first book in the Gondwana Chronicles, a historical science fiction novel set in Gondwana, a fictitious and exceptional world built by the author, a simplified version of ancient and medieval India, integrating the prominent aspects of two periods – the Vedic age, and the period that followed after the earliest Arab naval expeditions and their conquests in the Indian subcontinent; constituting the elements like science, Vedic practices, invasion, and warfare the book draws attention to the potentiality of the knowledge that if it can save you from the enemy, the enemy can use the same knowledge to annihilate you; revolving around the central conflict between Khidmatgars (invaders) and the native tribes of Gondwana, the narration introduces you to two formidable characters, each serving their own purpose in the best way possible; this fast-paced thriller story of innovations, conscientiousness, and conquests will find you absorbed throughout the journeys of both protagonist as well as the antagonist.

Review

Let me start with the world building and setting aspects of the book. The world or the land of Gondwana is fascinating in its own way. The author has tried to convey the demographics and geographical traits of the land effortlessly via this fictional land, where the native tribes – Aryans (who of course came from the north), Vaishyas, Garudas, Waanars, and Asuras – are united against the invaders, Khidmatgars. Apart from this broader picture, the setting makes justice to the Vedic age of ancient India through science and inventions. The one particular detail that stands out is the well-organised political geography of Gondwana and there is also a map of contemporary India with reference to the world of Gondwana, which is the best thing you could ask for in such historical fiction novels.

Moving to the background of these tribes and emerging characters from them. The author has depicted the background, history, and significance of these tribes very conveniently. The sequences are interwoven in the non-linear narration in such a way that it gradually introduces to you the principal kingdoms of Gondwana including Khidmatgar territories, how they function, and their frontliners in the divisions of education, military, and politics. Bakht Khan is the Commander of the Khidmatgar army and Prince Martand of Indraprastha is that genius the title is indicating. After successfully conquering a few of the Gondwana kingdoms belonging to all tribes except for Aryans, the Commander is set to defeat the Aryan kingdom, Indraprastha. On the other hand, Prince Martand is fully aware of what is to come and he knows that an appropriate retaliation is a must to save his tribe. The portrayal of these characters along with Rishi Sambhuvahana and his disciples makes the book even more interesting.

There are two main themes that occur in the novel – invasion leading to battles and a war which provides the central conflict for the novel, science and invention. The author has profoundly dealt with the conflict and warfare aspects. The ideation of Saptasindhu Mandal, inclusion of ancient texts like Manusmriti plays a great role in the storyline. The book also gives space to the powers our ancestors possessed in the eras of Lord Rama and Lord Krishna, in the form of scientific inventions. Other than that, the author comically takes on feminism in the patriarchal period. The plot has a thrilling effect to it. It ensures that the reader doesn’t lose interest. The writing style and language is basic, which makes it an easy read.

While I revered the plot, world building, and the characters, I detested a few things about the book. The book surely makes you feel the presence of important female characters, but I think there’s not enough women representation. Secondly, the phrase which is repeated often in the book – ‘knowledge is invaluable’ – is only associated with the knowledge of weapons, making its very idea vague and uncertain, after all, it is not the only kind of knowledge the story involves. Besides, the protagonist has a very short role to play in the storyline compared to the antagonist. Apart from these flaws, I found The Genius of Indraprastha an interesting and unique tale where the legends of ancient India are accredited with providing invaluable scriptures, not literally, but symbolically.


Happy Reading!

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DisclaimerThis article is intended for review purposes only. The author does not promote or recommend any behavior illustrated here or claim it to be useful.

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